April 8, 2016

Isentia reaches new rights agreement for Australian online and print content, delivering significant client benefits

Asia-Pacific’s leading media intelligence company, Isentia (ASX:ISD), has signed a new agreement with rights manager, the Copyright Agency, which delivers greater value to Isentia clients, keeping them informed in the 24/7, digital business information age. This new agreement recognises the increasingly complex media environment that Isentia’s clients navigate. Under the new copyright agreement, Isentia will […]

March 2, 2016

The potential impact of ‘fair use’ on creators

In today’s Australian newspaper, Copyright Agency’s CEO, Adam Suckling, looks at why a change to a US-style copyright system will discourage Australian innovation. The opinion piece ran as part of a larger feature, The Fight Over Fair Use. Adam writes, “There’s no doubt we all love a great story – whatever the medium: books, television, films, plays, […]

January 29, 2016

Introducing the Early Childhood Education Licence

The Copyright Agency has teamed up with APRA AMCOS, ARIA, PPCA and Early Childhood Australia to provide a simple licensing solution to early learning providers. The Early Childhood Education Copyright Licence was created to help early learning providers ensure that they can meet their copyright obligations when exercising the exclusive rights owned by the creators. The […]

Copyright Agency Cultural Fund Announcement

December 22, 2015

Close to $1m drives Australia’s creative culture

The Copyright Agency’s Cultural Fund has given more than $933,000 to 41 creative projects all over Australia in its latest grants round. Highlights of the round include: $90k to Queensland Theatre Company for an Indigenous New Work Residency; $24k to support the Australian Children’s Laureate for 2016; $30k for the Kid’s Own (Vic) project: Into […]

December 21, 2015

Marina Abramović In Residence

During June 2015, Kaldor Public Art Projects presented a unique experiential 12 day live-in residency with prominent performance artist, Marina Abramović and a group of 12 Australian artists. The project was supported by the Copyright Agency Cultural Fund and was open to the public with a total of 31,000 visitors, many participating in the Evenings […]

December 7, 2015

PwC Report says copyright changes should be ‘evidence based’

Changes to Australia’s copyright laws to a US-style ‘fair use’ model would ‘undermine incentives to invest, trigger company closures and smash local creativity’, according to a cost-benefit analysis by PwC – as reported in the Australian Financial Review article: Don’t change copyright law, urges PwC. The view is supported by the Copyright Agency, along with other media […]

November 26, 2015

Copyright Agency announces new Board members

The Copyright Agency has announced the appointment of two new Board members – Fairfax business journalist Adele Ferguson and publisher Jane Curry – after a ballot. A record number of candidates submitted for the two positions and there was a high level of interest in the voting. The addition of Adele and Jane brings the […]

October 23, 2015

Researchers to shed light on contentious copyright issues

New research will shed light on two contentious topics: How social media impacts on copyright; and copyright applications to Indigenous Traditional Knowledge. Researchers from Adelaide and Queensland have been awarded the inaugural Copyright Agency Research Fellowships of $20,000 each to advanced critical thinking in this area. The winners of the two fellowships are: Professor Melissa […]

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Image Credit: Rachael Mipantjiti Lionel. ‘Kapi Wankanya’ (2017). Acrylic on linen, 1220 x 2000mm.

Image Credit: Hoodie from Lifewear Australia NAIDOC 2018 apparel collection featuring Geoff Sellman artwork, Her Opal Spirits, 2018. © Geoff Sellman/Copyright Agency, 2018. Photo courtesy Lifewear Australia.

Image Credit: A team of more than 60 graphic designers, engineers and painters at Boeing’s Seattle facility worked with Balarinji to install the design onto the 787-9 Dreamliner, taking more than ten days to complete. There are close to 5000 dots on the aircraft. Image courtesy of Qantas.

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